Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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unknow artist
Portrat des Anton Fugger
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ID: 72461

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unknow artist Portrat des Anton Fugger


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  Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 279 | Portrait of Marie de' Medici. | Don Carlos de Borbon, rey de las Dos Sicilias | Johan Jacob Dobelius | An Oriental Beauty |
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WINTERHALTER, Josef the Younger
German painter (b. 1743, Vöhrenbach, d. 1807, Znojmo).
Louis D. Fancher
December 25, 1884-March 2, 1944) was an American artist and illustrator, notable for his drawings that appeared in books, in magazines, and on propaganda posters during World War. Fancher was born in Minneapolis, Minnesota in 1884 and was a student of Henry Siddons Mowbray, Robert Henri, and Kenyon Cox. He was active in San Francisco as well as in New York, where he lived most of his life.
Raimundo de Madrazo y Garreta
Spanish realist Painter , 1841-1920 Son of Federico de Madrazo y K?ntz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with L?on Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jos? Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting (e.g. Arrival in Spain of the Body of the Apostle St James, 1858, and Ataulfo, 1860) for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta's most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently,






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